( Spanish music )
YOU KNOW WHAT SWEETHEART?
I DON'T WANT TO GO HOME.
I REALLY DON'T.
LISTEN, WHEN THE FACTORY DEAL GOES THROUGH,
WE'LL BE DOWN HERE ALL THE TIME.
THAT'S TRUE.
LISTEN, YOU GO BUY SOMETHING,
BECAUSE I WANT TO HIT THE BORDER BY DARK.
YOU NEVER USED TO LIKE BREAKFAST.
THE BABY DOES. TOO MUCH.
LET'S NOT LEAVE.
LET'S JUST CHANGE OUR NAMES AND STAY HERE.
WHAT DO YOU THINK?
YEAH.
I DON'T KNOW.
GIVE UP THE TRAFFIC, AND THE SMOG?
IS THIS THE WOMAN WHO COMPLAINED ABOUT
NOT BEING ABLE TO TAKE TIME OFF?
WELL.
GET WHAT YOU NEED HONEY?
GOD, I LOVE THE COLORS HERE.
LET'S GET HOME.
SWEETHEART,
DO YOU THINK WE COULD BE MAKING A MISTAKE?
WHAT?
I MEAN MOVING THE PLANT DOWN HERE.
WE HAVE NO CHOICE.
WE CAN'T KEEP IT IN L.A. AND STAY IN BUSINESS.
YOU COULD HAVE GOT THE WINDSHIELD CLEANED.
I DID.
WHEN I HEARD MANILLA'S DESIGN
WERE PAYING THEIR PEOPLE $3 AN HOUR
I WAS HORRIFIED.
WE'RE GOING TO PAY PEOPLE $3 A DAY.
DO YOU REMEMBER THE PEOPLE WE PASSED BACK THERE?
YOU SEE THEM?
YEAH.
HOW MUCH DO YOU THINK THEY EARN A DAY?
PROBABLY NOTHING.
PROBABLY NOTHING,
SO IF WE MOVE THE FACTORY HERE
THEY MIGHT BE A LITTLE BETTER.
HOW'S HE DOING?
HOW'S SHE DOING, YOU MEAN?
HOPE HE LIKES MEXICAN FOOD.
LYNN!
( dramatic music )
SHIT!
IS HE DEAD?
OH, GOD!
A MEXICAN COP.
WE REALLY DID.
WE KILLED A COP.
( Lynn ) HELP!
LYNN! LYNN! GET DOWN! GET DOWN!
WE NEED AN AMBULANCE!
FIRST OF ALL, HE'S DEAD.
DON'T LOOK.
I DIDN'T SEE HIM!
I KNOW, HONEY, IT'S GONNA BE ALL RIGHT.
IT'S GONNA BE ALL RIGHT.
IT'S GOING TO BE OKAY.
OH, GOD!
WE'RE GETTING OUT OF HERE.
WHERE YOU GOING? WE'RE GETTING OUT OF HERE.
WE CAN'T JUST LEAVE HIM HERE!
LYNN, YOU'RE THREE MONTHS PREGNANT!
IT WAS AN ACCIDENT!
( Doug ) I KNOW, BUT THEY'LL PUT YOU IN JAIL ANYWAY.
THIS IS MEXICO.
IT'S NOT RIGHT. IT'S NOT--
NO. I KNOW.
( dramatic music )
IS HE COMING?
( Doug ) I DON'T KNOW.
I DON'T THINK SO.
THAT'S ALL WE NEED, 30 MINUTES FROM THE BORDER,
WE GET STOPPED FOR SPEEDING.
( Lynn ) WHAT IS IT?
( Doug ) I DON'T KNOW, MAYBE A WRECK OR SOMETHING.
( Lynn ) OH, SHIT! WHAT ARE WE GOING TO DO?
( Doug ) IF THEY COME OUT, THEN WE'LL STOP.
( Lynn ) THEN WHY ARE THEY STOPPING ALL THOSE--
( Doug ) I DON'T KNOW.
JUST LET ME DO THE TALKING.
IS THERE A PROBLEM, OFFICER?
SOMETHING WRONG, SENORA?
NO.
SHE'S PREGNANT, I HAVE TO GET HER HOME.
PREGNANT, UNDERSTAND?
EMBARAZADA? PREGNANT?
I UNDERSTAND ENGLISH.
WHERE YOU COMING FROM?
SAN ROBENA.
WE WERE DOWN THERE ON BUSINESS.
( police ) WHAT KIND OF BUSINESS?
FURNITURE BUSINESS.
PULL THE CAR OVER THERE AND STEP OUT OF THE CAR.
ANYTHING WRONG?
AMIGO,
PULL THE CAR OVER THERE AND STEP OUT OF IT.
RAPIDO!
( dramatic music )
OPEN!
THEY'RE LOOKING FOR DRUGS.
( police sirens )
( dog barking )
( police ) GO! NOW! YOU GO NOW! NOW!
OH GOD, I THOUGHT I WAS GOING TO PASS OUT.
DID YOU SEE THE BLOOD?
THEY WERE LOOKING FOR DRUGS.
HERE YOU ARE, SIR. HAVE A GOOD TRIP.
WE CAN'T JUST DRIVE BY LIKE THIS.
WE'LL CALL AARON WHEN WE GET BACK.
WHAT'S AARON GOING TO DO?
( Doug ) HE'S OUR LAWYER.
HE'S OUR TAX LAWYER.
TRY TO MAKE SENSE OUT OF THIS WHOLE THING.
IF WE GO BACK, THEY'LL PUT YOU IN JAIL.
WE'RE NOT GOING TO DO THAT.
IF YOU WANT TO GO BACK, I'LL TELL THEM I WAS DRIVING.
I DON'T WANT YOU TO DO THAT.
( soft music )
YOU KNOW YOU SHOULDN'T BE DRINKING.
I KEEP SEEING HIS FACE.
LYNN, YOU GOTTA LET IT GO.
IT HAPPENED, YOU CAN'T CHANGE IT.
IT WASN'T ANYBODY'S FAULT.
IT WAS A COMPLETE ACCIDENT, AARON.
HE JUST STAGGERED OUT
INTO THE MIDDLE OF THE ROAD AND I HIT HIM.
HE JUST CAME OUT OF NOWHERE.
YOU SAID "STAGGERED".
HE DID, DIDN'T HE?
I MEAN, IT WAS ONLY AN INSTANT BEFORE WE HIT HIM.
HE WASN'T WALKING STRAIGHT OR SOMETHING.
DRUNK?
JUST HOLD ON FOR A SECOND.
THERE WAS SOMETHING WEIRD...
WE COULD DO NOTHING FOR HIM.
YOU'RE SURE HE WAS DEAD? NO MISTAKE?
HE WAS DEAD. YOU CHECKED HIS PULSE?
THE GUY CAME OVER THE HOOD.
HE WENT INTO THE WINDSHIELD.
HIS BRAIN WAS STICKING OUT OF HIS SKULL.
I THINK YOU HAVE DONE THE RIGHT THING.
IN MEXICO, YOU'RE CHARGED WITH A CRIME,
YOU'RE GUILTY UNTIL YOU CAN PROVE YOU'RE INNOCENT.
WE'RE TALKING ABOUT A COP.
YOU WANT A GOOD CRIMINAL LAWYER?
NOBODY SAW US.
( Aaron )ANY FORENSIC LABORATORY
CAN LIFT A PAINT CHIP AND TRACE IT TO THE JEEP.
THIS WHOLE THING IS STICKY, IT'S NOT GOING TO HELP THE MOVE.
WHAT ARE WE SUPPOSED TO DO ABOUT THE DEPOSIT?
WE'RE CARRYING TWICE THE INVENTORY THAT WE USUALLY DO.
OH, DOUG, PLEASE, STOP.
WHAT?
WHAT? WE KILLED A GUY AND LEFT HIM ON THE SIDE OF THE ROAD.
YOU WANT TO TALK BUSINESS?
I'M AWARE OF THAT. IT WAS AN ACCIDENT.
AND I FEEL REALLY BAD ABOUT IT.
WE DID SOMETHING WRONG AND WE'RE SCURRYING AWAY LIKE RATS.
YOU HAVE A FRANCHISE ON FEELING GUILTY?
I FEEL SICK TO MY STOMACH.
ALL RIGHT.
I'M NOT SURE I CAN DO ANYTHING ABOUT THE WAY YOU FEEL.
I'LL MAKE A FEW PHONE CALLS, SEE WHAT I CAN FIND OUT.
( garage tools )
( garage worker ) YES, SIR.
HOW LONG WILL IT TAKE TO FIX IT?
I DON'T KNOW.
YOU JUST YANK IT OUT AND REPLACE IT.
I COULD HAVE IT BACK TO YOU TOMORROW.
I KNOW A GUY WORKING AT A JUNKYARD
HE MIGHT BE ABLE TO FIND ME A USED ONE.
IT'D BE A LOT CHEAPER.
HOW LONG WILL THAT BE?
FIVE DAYS, MAYBE A WEEK.
I HAVE TWO CARS AHEAD OF YOU.
I'D LIKE TO HAVE IT BACK BY TOMORROW IF YOU CAN.
I MIGHT GET SOME STATIC
FROM YOUR INSURANCE AGENCY ABOUT THE GRILL.
I'LL PAY FOR IT MYSELF.
MY PREMIUMS ARE GOING THROUGH THE ROOF AS IT IS.
( garage worker ) OKAY.
WHATEVER YOU SAY.
( Doug ) ALL RIGHT.
I WISH MY SPANISH WAS BETTER.
I THINK YOU MIGHT WANT SOME COFFEE, SENORA LYNN.
NO.
NO VERONICA, THAT'S OKAY.
IS SHE SPYING ON US?
VERONICA? DON'T BE SILLY.
( Lynn ) NO, NO, WAIT, LOOK.
"AMERICANS AT THE..." WHAT'S THAT?
"THE BORDER." WAIT, LET'S TAKE A LOOK.
"AMERICANS AT THE BORDER ARE BEING STOPPED."
THEY'RE DOING A CAR-BY-CAR SEARCH.
OH, GOD!
YOU GOT IT. A MEXICAN POLICEMAN WAS KILLED. SHIT.
WHAT?
WHAT DO YOU WANT?
OH MY GOD, DID SHE HEAR THAT?
WHAT? MEXICAN POLICEMAN.
OH MY GOD, LYNN. COME ON!
HI, MELANIE.
HI, I THOUGHT YOU'D AT LEAST TAKE
ONE DAY OFF AFTER YOUR TRIP.
TOO MUCH WORK TO DO.
DID YOU GET IT DONE?
( Doug ) YEAH, PRETTY MUCH. ( Melanie ) GOOD.
AND, HOW'S THE BABY DOING?
OKAY, A LITTLE CRAMPY. YEAH?
HOW ARE YOU DOING? REALLY WELL.
ANYTHING NEW? NOT TOO MUCH.
THE ORDER FROM WAREHOUSE IS LATE
BUT THEY SAID IT'D BE HERE BY THIS AFTERNOON.
AND THERE'S LOT OF BITCHING AND MOANING FROM THE ASSEMBLY PLANT
ABOUT THE MOVE.
ABOUT HALF AN HOUR AGO THIS GUY CAME IN, VERY ATTRACTIVE
AND WAS ASKING ABOUT A SALESMAN'S JOB.
MAYBE YOU SHOULD LOOK INTO THAT.
I'LL TALK TO THE GUYS AT THE PLANT.
WE'LL WORK SOMETHING OUT.
WELCOME BACK.
BYE. THANKS, MELANIE.
( suspenseful music )
IT'S JUST A DREAM.
IT'S OKAY.
IT'S OKAY, BABY.
I'M OKAY.
IT'S OKAY.
SO, WE GOTTA LEARN TO LIVE WITH IT.
IT'S ALL WE CAN DO.
I LOVE YOU.
OH, I LOVE YOU.
( doorbell )
WHO'S THAT?
YOU GOING TO GET IT?
ANYTHING YOU SAY.
MR. KAINES? YEAH!
MY NAME IS JAKE SHELL.
HAVE A MOMENT?
FOR WHAT?
I JUST CAME FROM MEXICO.
MIND IF I COME IN?
YES, I DO.
( Lynn ) SWEETHEART?
THIS IS JAKE SHELL.
OH.
SAID HE'D JUST COME UP FROM MEXICO.
OH.
LISTEN, IF IT'S NOT TOO MUCH TO ASK
I'D REALLY ENJOY A COLD DRINK.
LIKE ORANGE JUICE, OR BEER.
MR. SHELL, WHAT DO YOU WANT?
I WAS KIND OF HOPING FOR A JOB, MR. KAINES.
I COULD BE A CRACKERJACK SALESMAN.
I WENT BY THE OFFICE YESTERDAY.
THE GIRL SAID I HAD TO FILL OUT AN APPLICATION.
BUT I FIGURED IT WAS BETTER TO TALK TO YOU IN PERSON.
HOW DID YOU GET OUR ADDRESS?
THE PHONE BOOK.
WE'RE NOT HIRING ANY PEOPLE NOW.
IN FACT, WE'RE LAYING OFF A SIZABLE PART OF THE WORKFORCE.
OH, WHAT A SHAME.
IS THIS A BAD TIME?
YEAH.
YEAH, THIS IS A BAD TIME.
AND HERE I AM BARGING IN ON YOU, I'M SORRY.
I'M REALLY SORRY.
THANKS FOR YOUR TIME.
AND THE BEER.
( suspenseful music )
( phone rings )
HELLO.
(Aaron) HELLO.
HI, AARON.
AARON?
HOLD ON, LYNN'S HERE.
I'M GOING TO PUT YOU ON SPEAKERPHONE.
YOU LEARN ANYTHING?
(Aaron) HE WAS SOME DRUG COP FROM TIJUANA.
HE WAS A COP.
APPARENTLY.
THE COPS AREN'T SAYING MUCH.
AARON, DID HE HAVE A FAMILY OR CHILDREN?
WE WANT TO SEND SOME MONEY.
NO, NO, NO.
BY ALL ACCOUNTS HE WAS A SHAKEDOWN ARTIST.
HE WAS PROBABLY IN SAN ROBENA
ROUSTING THE DRUG DEALERS FOR A PIECE OF THEIR ACTION.
SOMETHING STRANGE JUST HAPPENED.
WE HAD A VISITOR.
HE WAS LOOKING FOR A JOB, HE KNEW WHERE WE LIVED.
HE KNEW OUR NAMES.
HE ALSO SAID HE JUST CAME UP FROM MEXICO.
DID HE MENTION THE ACCIDENT, THE COP?
NO, HE JUST SAID HE WAS LOOKING FOR A JOB.
BUT WHY DID HE SAY HE JUST CAME FROM MEXICO?
LISTEN, I KNOW SOME ASPECTS OF THIS ARE VERY UPSETTING.
BUT TRY TO KEEP THINGS IN PERSPECTIVE.
LOOK, I'M NOT BEING PARANOID.
SOMETHING WASN'T RIGHT ABOUT THIS GUY.
GIVE ME A NAME AND A DESCRIPTION
AND I'LL HAVE SOMEONE CHECK HIS RECORD.
HIS NAME WAS JAKE SHELL.
HE'S ABOUT 6' 2", A BIG GUY, BLOND.
HE WAS KIND OF ATTRACTIVE, IN AN OUTDOORSY KIND OF WAY.
(Aaron) IS THAT ALL?
BYE-BYE.
I'LL SEE YOU BACK IN THE STORE.
'MORNING.
IS IT DONE?
LIKE NEW. TERRIFIC.
WE JUST FINISHED A LITTLE WHILE AGO.
THAT'S GREAT. YOU DID A GREAT JOB.
WE DIDN'T HAVE TIME TO WASH IT ALL.
DON'T WORRY, I'LL DO IT MYSELF.
GREAT, WHAT DO I OWE YOU?
$650 EVEN.
HERE'S $700. I REALLY APPRECIATE IT.
THANKS A LOT.
HAD I KNOWN,
I'D HAVE GIVEN THE INSURANCE AGENT A BILL FOR $700.
THAT WAY, YOU WOULDN'T BE OUT ANYTHING.
INSURANCE AGENT?
HE TOOK PHOTOGRAPHS OF THE OLD GRILL
AND PHOTOCOPIED THE WORK ORDER.
( phone rings )
( garage worker ) BODY SHOP.
TALL GUY, BLOND? COWBOY OUTFIT?
NO, INSURANCE AGENT. SUIT, BLUE TIE.
MAYBE IT WAS ANOTHER CAR.
WE HAD A BUSY DAY YESTERDAY.
WE JUST HAVE ONE LEFT. I CAN GIVE YOU A DISCOUNT.
DID YOU DESIGN THIS?
YES. I DO ALL THE DESIGNS, MY HUSBAND DOES THE HEAVY LIFTING.
I ALWAYS HATED THAT WASTED SPACE SO I PUT THESE THINGS...
( woman )ARE YOU OKAY? MA'AM?
SOMETHING'S WRONG. SHE'S NOT WELL.
LYNN? LYNN?
CAN YOU GIVE ME A HAND? SHE'S FAINTED.
( woman ) WHAT'S WRONG WITH HER?
( Melanie ) SHE'LL BE ALL RIGHT. SHE HASN'T BEEN FEELING WELL.
SHE'S PREGNANT.
TAKE IT EASY.
COME ON.
SHE'S OKAY.
JUST RELAX, MA'AM.
YOU'LL BE JUST FINE.
STAY OFF YOUR FEET FOR A WHILE.
I'LL GO OUT THERE AND HELP THAT YOUNG COUPLE.
WILL YOU TAKE CARE OF HER?
YOU'RE NOT FEELING TOO GOOD?
I FAINTED.
I FELT REALLY NAUSEOUS.
ALL THE BEST PREGNANCIES START OUT THAT WAY.
I'LL GET YOU SOME WATER.
DRINK THAT.
LITTLE BETTER?
SO? DON'T BE KEEPING ANY SECRETS FROM ME. WHO IS HE?
HE SAID HE WAS LOOKING FOR A JOB.
I KNOW THAT. IS HE MARRIED?
I JUST CLOSED THAT SALE OUT THERE.
I'M NOT FAMILIAR YET WITH HOW YOU FOLKS DO PAPERWORK.
DO YOU MIND?
YOU GOING TO BE OKAY?
YES, THAT'S A GOOD IDEA MELANIE. WHY DON'T YOU TAKE CARE OF THAT?
OKAY, I'LL BE BACK IN A MINUTE.
FEELING ANY BETTER NOW?
I'M BEING TOO PUSHY. IS THAT WHAT IT IS?
WHAT ARE YOU DOING HERE?
LIKE I TOLD YOU. I'M LOOKING FOR A JOB.
AND I WANT YOU TO GIVE ME A CHANCE.
THERE IS NO JOB.
(Shell) YOU JUST TELL ME, MRS. KAINES.
JUST TELL ME WHAT YOU WANT ME TO DO.
AND I'LL DO IT.
LET ME HELP YOU.
YOU HAVE TO HOLD IT A LITTLE BIT.
SQUEEZE A LITTLE.
( pop )
SEE?
WHAT ARE YOU DOING HERE?
MR. KAINES! GOOD TO SEE YOU. I CAME FOR THE JOB.
THERE IS NO JOB.
DO YOU AND MRS. KAINES REHEARSE THIS STUFF?
SHE JUST SAID THE VERY SAME THING.
YOU OKAY?
YEAH, I'M FINE. I JUST GOT A LITTLE DIZZY.
HER COLOR IS COMING BACK NOW.
I'M SURE YOU'LL BE RIGHT BACK TO YOUR LOVELY SELF.
I THINK YOU OUGHT TO LEAVE NOW, MR. SHELL.
BUT I JUST MADE MY FIRST SALE.
PLEASE.
WELL, MAYBE I CAN HELP YOU WITH YOUR LITTLE PROBLEM IN SAN ROBENA.
WHAT PROBLEM?
THE MOVE.
IT'S QUITE A BIG MOVE.
I KNOW SOME OF THE LOCALS.
WHAT IF THE BABY COMES?
YOU'RE GONNA NEED SOME HELP THEN.
WE DON'T NEED YOUR HELP.
( Shell ) YOU THINK I'M SOME KIND OF BUM OR SOMETHING?
I DIDN'T WASTE MY LIFE ENTIRELY IN MEXICO.
YOU'D BE AMAZED WHAT A MAN CAN LEARN
JUST SITTING ON THE SIDE OF THE ROAD.
I'M NOT TRYING TO MAKE TROUBLE FOR YOU FOLKS.
IF YOU WANT ME TO GO, I'M OUT OF HERE.
I WANT YOU TO GO.
OKAY.
DOUG?
THE JEEP LOOKS GOOD.
GOD, HE KNOWS.
( Doug ) SHIT, DO YOU THINK HE'S A COP?
WHAT'S A COP DOING LOOKING FOR A JOB?
OH, GOD, I DON'T FEEL GOOD.
WHAT WERE YOU DOING ALONE WITH HIM?
DOUG, I FAINTED.
I KNEW SOMETHING BAD WOULD HAPPEN.
WE CAN'T WALK AWAY FROM WHAT WE DID.
DON'T BLAME ME FOR THIS.
I DON'T BLAME YOU. I USED MY BEST JUDGMENT.
JUST WHAT ARE WE GOING TO DO?
LOOK AT THAT SON OF A BITCH, SITTING THERE.
LET'S OFFER HIM A JOB.
THAT'S A VERY GOOD IDEA.
I MEAN, NOT OFFER HIM A JOB FOR REAL.
JUST USE THE BONDING THING TO GET HIM INTO AARON'S OFFICE.
WE NEED A LAWYER TO INTIMIDATE HIM.
( Doug ) MR. SHELL.
I WANT TO APOLOGIZE.
I WAS A BIT RUDE TO YOU UP THERE.
MY WIFE AND I ARE UNDER A LOT OF STRESS, WITH THE BABY AND ALL.
IT WAS PRETTY IMPRESSIVE, THIS SALE OF YOURS.
WE WOULD LIKE TO GIVE YOU AN OPPORTUNITY.
SO, ON A TRIAL BASIS, WE'D LIKE TO OFFER YOU A JOB.
THANK YOU, MR. KAINES.
YOU'RE VERY KIND.
YOU KNOW YOU HAVE TO BE BONDED.
BONDED?
BONDED, YEAH, FOR INSURANCE PURPOSES.
OKAY.
SO, IF YOU DON'T MIND, YOU CAN MEET US AT OUR LAWYER'S.
AND WE CAN TAKE CARE OF IT ALL.
NO PROBLEM.
TAX LAWYER.
( clock chimes )
HONEY, ARE YOU READY?
HI.
DO YOU HAVE A LAWYER, MR. SHELL?
I DON'T NEED ONE.
YOU DO THE PAPERWORK, I'LL SIGN ON THE DOTTED LINE.
IT'S NOT GOING TO BE QUITE THAT SIMPLE.
I REPRESENT MR. AND MRS. KAINES,
ON WHOSE BEHALF I FORMALLY NOTIFY YOU
THAT THEY INTEND TO SUE YOU
FOR MENTAL ANGUISH AND HARASSMENT.
SUE ME?
I STRONGLY SUGGEST THAT YOU RUN YOUR ASS
BACK DOWN TO THAT BEACH IN SAN ROBENA.
BECAUSE IF YOU EVEN TALK TO MY CLIENTS,
I'LL SLAP A RESTRAINING ORDER ON YOU.
AND I WILL SINK YOU SO DEEP IN LEGAL PAPER,
YOU WON'T KNOW WHICH END IS UP.
EXCUSE ME, I HAVE NOT HARASSED THESE PEOPLE.
THEY OFFERED ME A JOB, THAT'S ALL I WANTED.
WHY ARE YOU DOING THIS TO ME?
STOP IT, WILL YOU PLEASE? AARON, HE CAME UP FROM MEXICO.
HE'S BEEN SKULKING AROUND, DIGGING UP INFORMATION ABOUT US.
HE KNOWS EVERYTHING ABOUT WHERE WE LIVE,
THE BABY, THE MOVE, THE JEEP.
THE JEEP?
YEAH, THE JEEP. YES, HE GODDAMN JEEP, RIGHT?
WHAT ABOUT THE JEEP?
HOW DO YOU KNOW WE GOT IT FIXED?
I WENT TO THE OFFICE. YOU WERE NOT THERE.
MELANIE TELLS ME YOU'RE PICKING UP THE CAR.
IT'S BEING FIXED. THE JEEP HAS A NEW GRILL.
WHAT THE HELL IS THIS?
SHELL, WHY DON'T YOU JUST CUT THE BULLSHIT?
WHAT IS IT YOU'RE REALLY AFTER?
I'M SORRY.
I'LL BE TOTALLY HONEST WITH YOU.
I DID NOT COME UP FROM MEXICO ONLY TO LOOK FOR WORK.
IT'S JUST...
I WAS...
I AM...
SORT OF ON THE RUN.
ON THE RUN?
IN MEXICO, YOU CAN SPEND YEARS IN JAIL WAITING FOR A TRIAL.
I DIDN'T EVEN COMMIT A CRIME.
I WITNESSED A MURDER.
( suspenseful music )
( Shell ) DOWN THERE, WITNESSES ARE HELD
IN THE SAME JAIL AS THE CRIMINALS.
DO YOU KNOW WHAT THEY DO TO GUYS LIKE ME?
THEY PUT CATTLE PRODS ON THEIR PRIVATES.
SO, I SKIPPED OUT.
WHAT WOULD YOU HAVE DONE, MR. KAINES?
I'M DISAPPOINTED.
I EXPECTED MORE FROM YOU.
YOU SEEM DECENT PEOPLE.
I SUPPOSE THE BEST THING I COULD DO IS GO BACK TO MEXICO.
AND FACE THE MUSIC.
WHAT THE HELL.
THERE MIGHT BE A REWARD.
SO, WHAT DO WE DO?
FIRSTLY, THIS IS OUT OF MY LEAGUE.
I'M GOING TO SEND YOU TO KLAUSNER.
HE'S A CRIMINAL ATTORNEY.
HE KNOWS HOW TO DEAL WITH THIS SORT OF THING.
I AM NOT GOING TO ANOTHER LAWYER. I AM NOT GOING TO--
PLEASE.
THANK YOU. THANKS, AARON.
( Doug ) LAWYERS.
HE WITNESSED A MURDER. THAT'S WHAT HE SAID: A MURDER.
OUR FRIEND MR. SHELL IS QUITE A CHARACTER.
HE NEVER SAYS ANYTHING, JUST INSINUATES.
HE KNOWS WE KILLED THAT COP.
GOD ONLY KNOWS HOW, BUT HE KNOWS.
MAYBE HE SAW SOME OTHER MURDER.
YEAH, I NEVER THOUGHT OF THAT.
HE PROBABLY SAW THE JEEP BEHIND US HIT ANOTHER COP.
MAYBE WE OUGHT TO PAY HIM OFF.
OH SURE, LET'S JUST SIGN THE HOUSE OVER TO HIM.
NO, NOT SIGN THE HOUSE OVER.
WE JUST GET HIM TO MOVE WITH US.
WE COULD FIX UP THE NURSERY FOR HIM.
HE COULD BABYSIT WHEN YOU MOTHER COMES IN AUGUST.
TAKE HER TO DISNEYLAND.
LAUGH, I'M CONSIDERING IT.
I AM NOT CRAZY ABOUT SHELL, YOUR MOTHER, OR DISNEYLAND.
OH GOD, THIS IS SO AWFUL.
I DON'T KNOW HOW TO DEAL WITH THIS.
WHAT WE OUGHT TO DO IS OFFER HIM THE JOB FOR REAL.
HE DOESN'T WANT THE JOB.
HE WAS THERE, HE SAW US. HE WANTS SOMETHING ELSE.
(Doug) HONEY, I KNOW THAT.
IT'S AN INTERIM SOLUTION TO KEEP HIM AROUND.
WE KEEP AN EYE ON HIM. HE DOESN'T GO BACK TO MEXICO.
HE JUST SCARES ME. HE MAKES ME VERY UNCOMFORTABLE.
I DON'T WANT HIM AROUND.
HE'S NOT SO ATTRACTIVE IN AN OUTDOORSY SORT OF WAY ANYMORE?
HI. HI.
$20 ON NUMBER FOUR AND A TICKET TO THE CAR WASH.
( suspenseful music )
IT'S LIKE HE'S HAUNTING US.
SHELL.
SHELL?
( horse neighs )
I'M PACKED UP AND READY TO ROLL.
WANNA COME IN?
I WANNA SAY I'M SORRY FOR ALL THE TROUBLE I PUT YOU THROUGH.
NO, THAT'S WHY I CAME BY ACTUALLY.
LYNN AND I REALLY SCREWED UP ON THIS ONE AND
WE WANT TO APOLOGIZE.
IT'S OKAY, REALLY. NO BIG DEAL.
YOU HUNGRY?
NO. THANK YOU VERY MUCH.
ACTUALLY, WE'D LIKE TO FIND A WAY TO MAKE IT UP TO YOU.
HAVE A SEAT. I'M SORRY FOR THE MESS.
THE MAID DOESN'T COME UNTIL MONDAY.
LOOK, WE THOUGHT...
IT'S GOING TO SOUND RIDICULOUS AFTER THIS MORNING.
WE WOULD LIKE TO OFFER YOU THE JOB.
HOT DAMN, THAT'S GOOD NEWS.
NO, IT'S OKAY. DO YOU WANT A BEER?
I ASSUME YOU'LL TAKE IT, YOU WANT TO DO IT.
LOOK, PARKING THIS THING AROUND HERE ISN'T A GOOD IDEA.
THE NEIGHBORS COMPLAIN ABOUT ANY STREET PARKING FOR RV'S--
I DON'T GIVE A SHIT ABOUT THE NEIGHBORS.
WELL, WE DO. WE GIVE A SHIT.
IF WE'RE GOING TO WORK SOMETHING OUT,
YOU'RE GOING TO HAVE TO ADDRESS
YOURSELF TO OUR CONCERNS AS WELL.
I'M SORRY, AMIGO. I FORGET MYSELF SOMETIMES.
MAYBE I'M STILL A LITTLE TICKED OFF ABOUT THIS MORNING.
RIGHT. YOU HAVE EVERY RIGHT TO BE.
BUT THAT'S HISTORY. THAT'S BEHIND US, RIGHT?
RIGHT.
SO, WE'VE GOT A DEAL.
LOOK THERE'S SOMETHING VERY IMPORTANT
WHICH I THINK YOU SHOULD UNDERSTAND HERE.
YOU WEREN'T SURE WERE YOU?
SURE ABOUT WHAT?
ABOUT GIVING ME THE JOB.
I WOULD NEVER LET YOU DOWN, PARTNER.
RIGHT.
IT'S ON OUR DOORSTEP.
( suspenseful music )
I'M SORRY, MRS. KAINES.
WHAT ARE YOU DOING HERE?
THIS IS A PRIVATE AREA, SHELL.
WOULD YOU MIND LEAVING?
GOOD. IT'S NOT TOO HOT.
PROTECT THE BABY.
WOULD YOU PLEASE GO?
ARE YOU CRYING?
I HAD A DREAM LAST NIGHT.
THIS HOUSE WAS IN IT AND SO WERE YOU.
DOUG IS A VERY LUCKY GUY.
( suspenseful music )
LET ME GET YOU MORE COMFORTABLE
IN TIME TO MAKE UP YOUR MIND.
THANK YOU.
TAKE IT EASY.
YOU'VE BEEN WATCHING ME.
YES, I HAVE. IS THERE A PROBLEM?
A COUPLE IS BUYING A BEDROOM.
THE LADY IS THINKING ABOUT THE COUCH.
SO AM I GOOD, OR AM I GOOD?
I DON'T KNOW.
ARE YOU?
( Lynn ) HOW MUCH CAN WE SPARE?
THIRTY, FORTY THOUSAND DOLLARS?
( Lynn ) IS THAT GONNA BE ENOUGH?
WHO KNOWS WHAT ENOUGH IS WITH THIS GUY.
WHAT IF IT ISN'T ENOUGH?
I DON'T LIKE IT. I HATE THIS.
( country music )
¶ TELL ME GIRL DO YOU THINK I'M INSANE ¶
¶ IF I WANT TO TAKE YOU ON A RIDE ON MY TRAIN ¶
¶ RIDE ON MY TRAIN
¶ IF I WANT TO TAKE YOU ON A RIDE ON MY TRAIN ¶
¶ RIDE ON MY TRAIN
GOD ONLY KNOWS WHERE HE IS NOW.
OH, MY GOD.
( Melanie ) WAIT A MINUTE.
I THOUGHT YOU SAID WE WERE GOING BACK TO YOUR PLACE.
BABY, THIS IS MY PLACE.
SWEETHEART, ARE YOU GOING TO PUNCH THAT BAG ALL NIGHT LONG?
MAYBE.
I'M USED TO BEING IN CONTROL OF MY LIFE.
AND NOT HAVING TO WORK MY WAY OUT OF THINGS.
THAT'S NOT THE KIND OF PEOPLE WE ARE.
( Lynn ) OH REALLY, WE'RE NOT?
WE KILL A GUY, WE JUST LEAVE HIM ON THE SIDE OF THE ROAD.
A BLACKMAILER COMES,
WE JUST DECIDE TO JUST BLACKMAIL HIM BACK?
WE DID WHAT WE HAD TO DO.
IS THAT WHAT WE'LL TEACH OUR CHILD? DON'T DO WHAT'S RIGHT.
JUST DO WHATEVER YOU HAVE TO DO
TO PROTECT YOUR LITTLE CORNER OF THE WORLD?
I USED TO FEEL GOOD ABOUT MYSELF.
NOW, I FEEL...
I FEEL LIKE SHELL!
WE ARE NOT THE SAME AS SHELL.
I'M NOT SO SURE.
I AM.
( country music )
¶ MONDAY BROUGHT THE RAIN
¶ TUESDAY SLIPPED AWAY FROM ME
¶ WEDNESDAY OPENED UP THE DOOR
¶ FIRE IN THE RAIN
¶ BURNING LOVE AGAIN
¶ TRYING TO TAME
¶ TAME A HEART SO FREE
¶ GONNA GO INSANE
¶ I MUST BE IN LOVE AGAIN
¶ I WILL ALWAYS BE YOUR FIRE IN THE RAIN ¶
¶ WHEN I FOUND THE BOOK OF LOVE ¶
¶ YOU'RE THE ONLY ONE I NEED
¶ LAY ON DOWN BESIDE MY LADY AND OPEN UP TO ME ¶
¶ FIRE IN THE RAIN
¶ BURNING LOVE AGAIN
¶ TRYIN' TO TAME
¶ TAME A HEART SO FREE
¶ I GO INSANE
¶ IT MUST BE LOVE AGAIN
¶ I WILL ALWAYS BE YOUR FIRE IN THE RAIN ¶
SHELL, YOU'RE HURTING ME.
C'MON BABY, I LOVE COWGIRLS.
SHELL, STOP IT. YOU'RE HURTING ME.
SHELL, STOP.
YOU'RE HURTING ME. SHELL, STOP IT!
I LOVE YOU SO MUCH.
HI, LYNN. HI, MELANIE.
DO YOU KNOW WHAT TIME IT IS?
YEAH. I'M VERY SORRY I'M LATE.
WHAT HAPPENED? IS SHELL HERE NOW?
SHELL? YEAH.
NO, WHY?
LYNN, I'M REALLY SORRY.
I DON'T WANT TO STRAND YOU AND DOUG
BUT SOMETHING'S COME UP, AND I HAVE TO GO.
WHAT ARE YOU SAYING?
I JUST CAME TO GET MY THINGS.
OH MY GOD, MELANIE.
JESUS, WHAT HAPPENED?
SWEETHEART! DOUG?
WHAT HAPPENED?
LYNN, I'M SORRY.
WAS THIS SHELL? DID SHELL DO THAT TO YOU?
I'VE GOTTA GO.
( Doug )WHAT HAPPENED? DOUG.
SHE'S GOT BRUISES ALL OVER HER FACE FROM SHELL.
MELANIE, ARE YOU OKAY?
I'M OKAY. I'VE GOTTA GO.
MELANIE?
( Melanie ) JUST LET ME GO. JUST LEAVE ME ALONE, OKAY?
( Lynn ) THIS HAS GONE TOO FAR. NOW HE'S HURTING PEOPLE.
WE'VE JUST GOT TO PAY HIM OFF.
WE GOT THE MONEY FROM THE BANK.
WE FINISH THIS, NOW. WE WON'T PAY HIM OFF.
WHY? BECAUSE I FEEL LIKE A JERK.
HE'S SETTING US UP.
( phone rings )
HELLO, KAINES DESIGN.
(Shell) LYNN? IT'S ME, SHELL.
I DON'T FEEL SO GOOD, I THINK I'LL PASS ON WORK TODAY.
I HOPE YOU DON'T MIND.
( clock chimes )
SHELL, WHERE ARE YOU?
HOME.
HE'S IN OUR HOUSE.
( suspenseful music )
WOMAN, WOMAN, AKE OFF YOUR ROBE.
WHAT?
TAKE IT OFF, COME ON, WE'RE WASTING FILM.
JESUS, WHAT DO YOU WANT?
THAT'S WHAT I WANT! THAT'S WHAT I WANT!
HERE COMES DOUGIE!
THIS IS GOOD.
HI, MOM. HI, DAD.
JUST IN TIME FOR THE CLIMAX.
GO UPSTAIRS, HONEY.
CAN I HAVE A PART IN YOUR NEXT MOVIE?
WAIT, I WANT TO SEE THE PART WHERE SHE SUCKS IT.
WHAT'S THIS? A DEPOSITION.
HOW AM I GONNA READ THIS?
YOU JUST BROKE MY GLASSES.
"DEAR MR. KLAUSNER.
"I'M WRITING DOWN THE FACTS TO THE BEST OF MY ABILITY.
"ON JUNE 19, MY WIFE AND I WERE RETURNING
"FROM SAN ROBENA.
"I WAS DRIVING. MY WIFE WAS ASLEEP IN THE FRONT SEAT.
"CONDITIONS WERE--"
WAIT A SECOND.
WHAT ARE YOU TRYING TO SAY HERE?
I'M TRYING TO SAY THAT THE PARTY IS OVER. I'M TURNING MYSELF IN.
OH, YOU'RE GONNA DO THAT? YOU'RE GONNA TELL THE TRUTH?
YEAH, I'M GOING TO TELL THE TRUTH.
THIS IS NOT THE TRUTH.
YOU WEREN'T DRIVING.
YOUR WIFE WAS.
THAT'S $30,000.
THAT'S ALL THE MONEY I COULD RAISE.
DO YOU REALLY WANT ME GONE THAT BAD?
WE WERE JUST GETTING TO KNOW EACH OTHER.
YOU GOT A NICE RIGHT HOOK.
JUST GET OUT OF OUR LIVES.
YOU'D RATHER GO TO JAIL THAN BE MY FRIEND.
WELL, IF THAT'S WHAT YOU WANT.
I GUESS THIS IS ADIOS.
OH, NO.
DOUG.
DOUG!
( suspenseful music )
LYNN!
I'M SORRY.
( ambulance siren )
( rain falling outside )
( soft music )
YOU KNOW, YOU SHOULD TRY TO EAT.
YOU'RE JUST TRYING TO FATTEN ME UP.
NO, I JUST WANT YOU TO HEAL.
PRETTY SOON WE CAN START TRYING FOR ANOTHER BABY.
WE'VE PLENTY OF TIME FOR THAT, OKAY?
DON'T.
DON'T WHAT? DON'T SAY YOU'RE SORRY.
I WASN'T GONNA SAY I'M SORRY. YES, YOU WERE.
I WAS.
WE DID THE BEST THAT WE KNEW HOW.
I JUST FEEL BADLY.
IF I WENT TO KLAUSNER TWO WEEKS AGO, WE'D STILL HAVE THE BABY.
WE'LL HAVE ANOTHER BABY.
WHEN WE DO,
SHE'S GOING TO COME INTO THE WORLD WITH
A PRETTY GREAT SET OF PARENTS.
WE'RE GONNA BE BROKE PARENTS, THOUGH.
THEY'LL BE BROKE, BUT THEY'LL BE GREAT.
HEY, WE COULD USE THIS ON THE MORRISON CONTRACT.
INSTEAD OF ORDERING THE RAW SILK?
IT'S FOR A DINING ROOM SET AND IT'S MORE DURABLE.
IT'S TRUE.
WE'LL SAVE $500.
SMART, HUH? VERY SMART. THAT'S MY GIRL.
SAVING MONEY.
( suspenseful music )
HEY DOUG, GET OVER HERE, BUDDY.
THIS IS THE LOVELY BARBARA HALL.
NICE TO MEET YOU.
SHE JUST BOUGHT A MOTEL IN SANTA MONICA
AND SHE'S REFURNISHING THE WHOLE PLACE.
CAN YOU EXCUSE US FOR A MINUTE, PLEASE?
ACTUALLY I WAS JUST LEAVING.
YOU WON'T FORGET ABOUT OUR LITTLE MEETING?
NOT A SNOWFLAKE'S CHANCE IN HELL, HONEY.
I'LL SEE YOU LATER.
YOU SURELY WILL.
LOVELY, WE'RE JUST THIS CLOSE TO A $10,000 DEAL.
CAN I SPEAK TO YOU IN THE OFFICE FOR A MINUTE?
CAN WE DO IT HERE?
WHAT ARE YOU DOING BACK HERE? WE HAD A DEAL.
I WANTED TO KEEP MY END OF THE BARGAIN, BUT...
BUT WHAT? I GOT INTO THIS CARD GAME.
YOU LOST $30,000 IN A CARD GAME?
I MAY HAVE BOUGHT A FEW DRINKS, TOO.
AND NOW YOU'RE BACK.
YEAH, I'VE BEEN THINKING WHILE YOU WERE IN THE HOSPITAL,
HOW YOU AND LYNN ARE SO GOOD AND I'M A MORALLY BANKRUPT SCUMBAG.
SO I DECIDED TO COME BACK AND HELP OUT.
I DIDN'T LOSE YOUR MONEY. YOU THINK I'M STUPID?
I DON'T WANT YOUR MONEY.
YOU NEED ME, PARTNER.
I CAN HANDLE SAN ROBENA FOR YOU,
AND YOU CAN HANDLE THINGS UP HERE.
LYNN COULD SHUTTLE BACK AND FORTH.
I'M GOING TO KILL YOU, SHELL.
I DON'T CARE WHAT HAPPENS TO ME.
I'M GOING TO GO OUT AND I'M GOING TO BUY A GUN.
THE NEXT TIME I SEE YOU,
I'M GOING TO BLOW YOUR FUCKING BRAINS OUT.
LYNN.
YOU'RE LOOKING LOVELY AS EVER.
HONEY, WAIT IN THE OFFICE.
PLEASE.
I WOULD HAVE CLEANED IT UP,
BUT IT HAD SUCH NICE CLEAR FINGERPRINTS ON IT.
I ALWAYS WANTED TO BE A COP. IT'S GOT MANY ATTRACTIONS.
MALE COMPANIONSHIP, VIOLENCE.
LICENSE TO INTERFERE WITH PEOPLE'S LIVES.
I WOULD HAVE BEEN A GOOD COP, TOO.
SEE? I DID MY RESEARCH.
THEY'RE COPIES.
FUCK YOU, SHELL.
NO. FUCK YOU, DOUG. AND I WILL.
AND YOUR LOVELY WIFE.
SHELL, WHAT DO YOU WANT?
WHAT HAVE YOU GOT?
NOW IF YOU DON'T MIND,
I'M GONNA DO SOME WORK ON BARBARA.
BUT I'LL BE BACK. BECAUSE I OWN YOU, PARTNER.
I OWN YOU BIG TIME.
( suspenseful music )
FUCK YOU!
( woman screams )
HE GAVE US THE MONEY BACK.
(Lynn) CALM DOWN, OKAY?
HE HAS THAT COP'S BADGE WITH THE FINGERPRINTS ON IT.
HE HAS PHOTOS OF THE JEEP. GOD KNOWS WHAT ELSE.
YOU STAY HERE. WHERE ARE YOU GOING?
DON'T DO ANYTHING STUPID.
I'M SORRY.
WHERE'S DOUG?
WHAT DID YOU DO WITH DOUG?
DOUG?
I HAVEN'T SEEN HIM.
NO, IT'S ABOUT THE BABY.
WHEN I HEARD YOU'D LOST THE BABY I FELT
REALLY SAD.
I WANTED TO SAY I'M SORRY, THAT'S ALL.
YOU'RE TALKING TO ME ABOUT MY BABY?
WHAT ARE YOU?
THAT'S NOT AN EASY QUESTION.
WHAT IS IT GOING TO TAKE
TO GET YOU OUT OF OUR LIVES?
IS THAT WHAT IT IS?
WILL THAT GET YOU OUT OF MY LIFE?
WE CAN'T DO THAT, LYNN.
I JUST BECAME PART OF YOUR LIFE.
I'M HAPPY FOR THE FIRST TIME BECAUSE OF YOU.
YOU KNOW THAT.
SURELY, YOU FEEL SOMETHING.
BOY, I KNOW HOW YOU FEEL RIGHT NOW.
I UNDERSTAND, YOU NEED A LITTLE MORE TIME.
YOU'LL UNDERSTAND THAT YOU NEED ME.
( car outside )
( door closes )
( footsteps )
DOUG, THANK GOD.
SHELL WAS HERE.
YOU'RE OKAY?
( car starts )
YOU LEFT ME HERE FOR HOURS, DOUG.
WHERE WERE YOU?
SAN ROBENA.
WHAT?
IT WASN'T US.
WE DIDN'T KILL THAT COP. HE WAS ALREADY DYING.
REMEMBER, WE THOUGHT HE WAS STAGGERING
OR SOMETHING RIGHT BEFORE WE HIT HIM?
HE HAD TWO BULLETS IN HIS CHEST.
SOMEBODY SHOT HIM WITH HIS OWN GUN.
SHELL.
THAT'S WHY THERE WAS BLOOD ON THE BADGE,
BUT NOT ON THE OUTSIDE OF HIS JACKET.
THE LOCALS SAY THAT THE KILLER RAN OVER THE BODY
SEVERAL TIMES FOR GOOD MEASURE.
THE AUTHORITIES AREN'T TALKING
BUT APPARENTLY THERE NEVER WAS A HIT AND RUN INVESTIGATION.
WE WERE NEVER IN ANY DANGER.
EXCEPT FROM SHELL.
TURNS OUT TO BE "JACK THE FUCKING RIPPER" OR SOMEBODY.
WE GOTTA GO TO THE POLICE.
AND SAY WHAT?
WE HAVE NO EVIDENCE ON HIM.
HE STILL HAS THAT BADGE WITH MY FINGERPRINTS ON IT.
HE COULD SAY WE'RE INVOLVED
IN THE DRUG BUSINESS, IN THE SHOOTING.
WHATEVER THE HELL HE WANTS TO SAY.
WELL, WHAT DO WE DO?
I'LL TELL YOU WHAT I'M GONNA DO.
I'M GONNA GET THAT FUCKING BADGE BACK.
( rock music )
DOUG, YOU'RE BACK.
BARBARA, YOU KNOW DOUG. AND HIS LOVELY WIFE LYNN.
THEY'RE STAYING WITH ME HERE
UNTIL THEY CAN FIND A NICE LITTLE PLACE OF THEIR OWN.
IT'S NICE TO MEET YOU.
THOSE KILLER MARGARITAS GET YOU EVERY TIME.
CAN I GET YOU GUYS A DRINK?
NO, THANK YOU.
BABS AND I WERE JUST GOING TO STEP INTO THE JACUZZI.
WOULD YOU LIKE TO JOIN US?
I DON'T THINK SO.
( Shell ) MAKE YOURSELVES AT HOME.
YOU KNOW WHERE EVERYTHING IS.
C'MON MY LITTLE HUMMING BIRD. LET ME SHOW YOU...
WOO, BABY!
( jacuzzi bubbling )
( electrical sparks )
WHAT ARE YOU DOING?
I LIKE IT HOT.
YOU DEVIATE, YOU!
YOU MAY BE SURPRISED.
( Shell ) JUST LOOK AT THIS SLIMY BASTARD.
HEY, COME ON!
KEEP DRINKING, SHELL. I WANT YOU DRUNK.
( passionate moans )
( loud music )
( snoring )
( Barbara ) SHELL, WAKE UP.
I CAN'T FIND MY THINGS.
( car starts )
( man ) WATCH IT, LADY.
( Barbara ) GET LOST.
( tires screech )
( snoring )
( suspenseful music )
( keys jingle )
( Shell grumbles )
( snoring )
( horse neighs )
NOT TOO TIDY.
SHIT.
JESUS.
( clock chimes )
( suspenseful music )
ARE YOU WATCHING ME SLEEP?
HOW LONG HAVE YOU BEEN HERE?
A WHILE.
GOD.
ARE YOU OKAY?
I GUESS.
I'M ALMOST CERTAIN SHE KILLED MY DICK.
I'M SORRY ABOUT THE MESS. I'LL CLEAN IT UP IN THE MORNING.
I BETTER GET BACK TO MY CAMPER.
WHY DON'T YOU JUST STAY HERE?
ARE YOU SURE YOU DON'T MIND?
I'LL GET YOU A GLASS OF WATER.
YOU'RE BEING NICE TO ME.
IT'S MAKING ME NERVOUS.
WHAT HAPPENED TO DOUG?
HE'S UPSTAIRS. HE PASSED OUT.
DRANK A WHOLE BOTTLE OF GIN.
GREAT.
SO, WE'RE ALONE TOGETHER.
CAN I KISS YOU?
( soft music )
YOU'RE SO BEAUTIFUL.
YOU MAKE SUCH BEAUTIFUL THINGS.
WHEN I FEEL YOUR FINGERS,
I WANT TO CRAWL INSIDE YOUR HAND.
( gun cocking )
( suspenseful music )
YOU DIDN'T FIND THE BADGE, DID YOU?
YOU WANT TO BET THAT THIS IS THAT DEAD MEXICAN COP'S GUN?
IT'S GOT A MEXICAN INSIGNIA ALL OVER THE GRIP.
I EXPECT THAT YOUR FINGERPRINTS ARE ALL OVER IT.
YEAH, YOU'RE RIGHT.
I SHOT HIM.
HE THREATENED ME WITH IT.
I TRUSTED HIM ONCE.
I SHOT HIM TWICE.
SHELL, LET HER GO.
LYNN, DIAL 9-1-1.
( Shell ) STOP IT!
DON'T TOUCH THAT. LISTEN TO ME.
YOU'VE GOT THE GUN.
I'VE GOT THE BADGE.
IT'S A MEXICAN STANDOFF.
NONE OF THIS WAS EVER YOUR FAULT.
IT WAS ME WHO KILLED THE COP.
LET ME GO.
WE'RE GOING TO DO THIS RIGHT, THIS TIME.
WE'RE GOING TO DO WHAT WE SHOULD HAVE DONE IN THE FIRST PLACE.
GET OFF OF THAT!
WHAT ARE GOING TO DO? KILL ME?
YOU'VE NEVER HURT ANYONE IN YOUR LIFE.
YOU'RE THE GOOD GUY.
GO AHEAD. SHOOT.
TRY FOR THE HEAD.
DECORATE YOUR PAINTINGS WITH MY BRAINS.
C'MON, PARTNER.
BLOW ME AWAY.
NOW FIGHT!
DON'T TOUCH THAT PHONE! I'M WARNING YOU!
GET UP!
YOU SURPRISE ME.
I DIDN'T THINK YOU'D PULL THE TRIGGER.
( disconnection signal )
I NEED A BREAK.
( disconnection signal )
THERE YOU ARE!
I WANT TO TALK TO YOU!
BABY.
I HAVEN'T FINISHED WITH YOU YET.
WHERE WERE WE?
OH, YEAH.
OUR FIRST KISS.
LET ME TRAIN YOU.
YOU DIDN'T HAVE TO LIE TO ME.
I JUST WANT TO BE PART OF THE FAMILY.
I JUST WANT TO BE PART OF YOU.
I'M GOING TO HAVE TO PUNISH YOU.
I LIKE YOU TO FEEL PAIN.
PLEASE, DON'T RAPE ME.
PLEASE.
PLEASE!
STOP!
I'M BLEEDING.
IT'S OKAY. IT'S OVER.
HE WAS BEATING ME.
IS THIS YOUR BLOOD? NO.
HE WAS BEATING MY BACK. WE'VE GOT TO GET HIM.
PLEASE, CALL THE POLICE.
( disconnection signal )
( broken glass )
( suspenseful music )
SHIT!
( door creaking )
WHAT A BEAUTIFUL NIGHT.
( gun cocking )
DOUG.
HOW COULD YOU MISS THESE?
THEY'RE NOT LOADED.
TELL YOU WHAT.
I'D LIKE TO TRY SOMETHING.
I FIGURE I CAN LOAD BOTH OF THEM AND DROP BOTH OF YOU
BEFORE YOU GET TO THE JEEP.
WHAT DO YOU THINK? YOU WANT TO GIVE IT A SHOT?
IT'S PRETTY FAIR.
( Shell ) HOW ABOUT ON THE COUNT OF THREE?
( dramatic music )
( Shell ) ONE.
TWO.
THREE.
SHIT!
THEY CHEATED.
( Doug ) LYNN, THE PATIO!
( suspenseful music )
GOODBYE, PARTNER.
( Shell ) GET OFF ME.
SHELL!
LEAVE HIM ALONE!
NOT DEAD YET?
( Lynn ) LEAVE HIM ALONE!
PLEASE.
( gun cocking )
( Shell ) STAY BACK.
IS THIS WHAT YOU WANT?
( Shell ) NO!
YOU'RE AFRAID OF ME.
I...
( soft music )
PLEASE.
( gunshot )
( sirens )
( dramatic music )